• The Cinematic Background
  • Selected studio works
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact
  • Menu

ELYSS MCCLEARY

  • The Cinematic Background
  • Selected studio works
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact

Elyss McCleary pays respect to the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, who are the traditional custodians of the unceded lands on which she lives and works.

July Collection at Sunday Salon

July 06, 2021

I have some new small scale works available through Sunday Salon this month. Curated by Lily Mora, the July Collection includes artworks by Lucas Golding, Elyss McCleary, Emma Creasey and Shannon May Powell.

https://sundaysalon.com.au/collections/july-collection

Elyss McCleary, Tender Anchor 8:43pm, oil on linen, 83cm x 71cm, 2021

Elyss McCleary TENDER ANCHOR 8:43PM, oil on linen, 83cm x 71cm, 2021

Tags: elyssmccleary tenderanchor843pm painting
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