• The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • Selected studio works
  • About
  • CV
  • Text
  • News
  • Contact
  • Menu

ELYSS MCCLEARY

  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • Selected studio works
  • About
  • CV
  • Text
  • News
  • Contact

Elyss McCleary pays respect to the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, who are the traditional custodians of the unceded lands on which she lives and works.

exhibitiontext

Artist Profile Magazine "Process" Article

March 31, 2023

This essay was originally published in Artist Profile, Issue 68, 2023.

Tags: elyssmccleary, atenderanchor, artistprofilemagazine, essay, nicholasthompsongallery, painting, process, exhibitiontext
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