• The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • Selected studio works
  • About
  • CV
  • Text
  • News
  • Contact
  • Menu

ELYSS MCCLEARY

  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • Selected studio works
  • About
  • CV
  • Text
  • News
  • Contact

Elyss McCleary pays respect to the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, who are the traditional custodians of the unceded lands on which she lives and works.

Opening on Wednesday at LON Gallery, The Man with Three Names

November 28, 2017
The Man With Three Names Flyer.jpg
Behind Eyelids (Talking with music) 2017. Oil on linen 140cm x 125.5cm

Elyss McCleary, Behind Eyelids (Talking with music) 2017. Oil on linen 140cm x 125.5cm

Tags: themanwiththreenames, longallery, melbourne, exhibition, behindeyelidstalkingwithmusic, elyssmccleary
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