exhibition

INTERVAL DIAGONAL Divisions Gallery

Anna Steele and Elyss McCleary present a suite of new painting compositions that play zig-zag actions across a thinking space. The works locate intersections of the built and natural environment that offer multiple horizons across the canvas. 

Observing and taking notice of the landscape forms the basis of ‘Interval Diagonal’.  Over time, this noticing has formed a correspondence between the two artists. They walk the same creek walk, traverse the same inner city streets yet their embodied memories are unique. These paintings, made up of several layers, reveal and conceal aspects to form landscapes that fuse the natural and the urban.

Both artists share a love of walking and seeing. Insights from the local streets, lockdown walks, found objects and night lights are reflected onto the canvas through making and remaking layers. These abstract works ignite a newly imagined space beyond the real to a picture-plane full of gesture and colour, and a physicality of paint that is directional.

Brushstrokes, drips, hard-edges and soft shimmering lines collage across the surface of the canvases. These layers allude to a mash-up of forms situated in the urban landscape; dense, with intervals of rest and a pace of activity. The interlude between layers of paint allows a thinking space to emerge within each encounter of these works.  

Image: Anna Steele, 38 Degrees And The Pool Is Closed, (cropped) oil on linen, 2023.

Installation of works at Divisions Gallery, June 2023. (L-R) Elyss McCleary, Anna Steele. Photography by Aaron Christopher Rees.

Interval Diagonal Exhibition Opening Friday 9th June 6-8pm

9th June - 9th July at Divisions Gallery

LINK TO DIVISIONS GALLERY/PENTRIDGE ARTS

Summer Artist Talks

Bundoora Homestead Arts Centre’s Summer Artist talks will be taking place in February. Im looking forward to the floor talk with the artists showing current exhibitions, and sharing my work for Outline Imager in the afternoon.

I undertook multiple site visits to record and respond to the light and colour of the space and the way in which it changed across time. The resulting compositions feature motifs and figures constructed and reassembled, that merge into spatial outlines with layered imagery. Glow of colour from the gallery’s unique lunette windows and other light sources move across surfaces within and throughout time sequences, whilst built and natural shapes circle within the room’s structure, shifting and changing perspectives through interactions between the work, the site and the visitors that move through the space.

Here is link for further info for the floor talks:

https://arts.darebin.vic.gov.au/whats-on/event-calendar/2023/02/summer-artist-talks-at-bundoora-homestead-art-centre

Elyss McCleary, Outline Imager, Installation of works at Bundoora Homestaed Arts Centre, 2022. Image credit: Simon Strong

Outline Imager - Bundoora Homestead Art Centre

I'm excited to share my upcoming solo exhibition Outline Imager, a suite of 4 paintings and support structures made in response to the changing light, and inside/outside shapes of the space.

There will also be an accompanying exhibition text available by the very talented artist and writer Madeline Simm.

Please join me for the opening event , or swing by for a visit whilst the show is on,
Opening event
Saturday 3 December2pm - 4pm

Exhibition runs 26 Nov 2022 - 4th March 2023 Open Wed - Sun 11am - 4pm

Bundoora Homestead Art Centre 7 Prospect Hill Drive, Bundoora, VIC, 3083

For more information about the show and new season of exhibitions opening soon, here is link

https://arts.darebin.vic.gov.au/Arts-venues/Bundoora-Homestead-Art-Centre/Exhibitions/Upcoming-exhibitions

Elyss McCleary, SCULPTOR (detail) oil on linen, re-purposed hardwood, 2022

The Landscape Show at Kyneton Ridge Artspace

-The Landscape Show- curated by Jordan Wood
opening 11.06.22 3-5pm
Kyneton Ridge Cellar Door
featuring:

Anna Steele Betra Fraval Clare Scanlan Ellequa Martin Elyss McCleary Kate Hodgetts Kylie Blackley Rebecca Delange Stephanie Hicks

“The exhibition ties to landscape in an expansive sense. It is impossible and infinite, political, immersive, charged yet supportive. Each artist takes in the landscape, exploring and probing with their motley collection of tools” -Jordan Wood curator.

Kyneton Ridge acknowledges the Taungurung and Dja Dja Wurrung peoples as the traditional custodians of the land present, and future, and extend that respect to all First Nations people.

i have some paintings in lovely group show that just opened on Saturday. The exhibition continues until 11.07.2022 at Kyneton Ridge Artspace.

https://www.kynetonridge.com.au/

Elyss McCleary LITTLE RAINBOW ON THE LEAVES oil on linen, 51cm x41cm, 2022

Selected works from FANDAGLE CHROMA/S at Scott Lawrie Gallery

I’m happy to share that selected works from FANDANGLE CHROMA/S will be showing in New Zealand.
Excited to be part of the exhibition at Scott Lawrie Gallery with 2 solo shows by Oliver King and Megan Archer.
Thankyou Scott for this wonderful opportunity and excited to have some over my paintings over in lovely space there
.
The Steelworks, Shed 10, 13 Coles Avenue, Mt Eden, Tamaki Makaurau/ Auckland
4- 22 June 2022

https://www.scottlawrie.com/exhibitions/

Elyss McCleary, Octet Loves Nine Again, oil on linen, 138cm x 123cm, 2022.

SATURDAY FEELS LIKE VERMILLION THEN CHERRY RED Stacks Projects, Sydney.

SATURDAY FEELS LIKE VERMILLION THEN CHERRY RED Elyss McCleary exhibition 28 November – 15 December, 2019
opening on Wednesday 27 November 2019, 6 – 8pm

Saturday feels like Vermilion then Cherry Red is based on portraits of ideas of colour and placement felt through a space
of colour synaesthesia. Colours and numbers resonate strongly when come to mind, based on learnt, felt, media, situations and wanting to re think and understand spaces about how colour is used and reinterpreted by us. These works have been recently made in the studio intuitively over a years duration, painted whilst thinking of a place, person or feeling in front of me. The found objects complement each painting and hold a relationship to what I call unstill lives; watching each other, existing together and reflecting ideas. The works question colour hierarchy and the weight and meaning of each mark.
Each mark re-evaluates the potential value in colour and how colours are constantly reinvented and reconsidered in
peoples’ experiences.

While synesthetes sometimes report they seeing colours in projected in space, they do not confuse their synestic colours with real colours in the external world, rather, they report that they are simultaneously aware of the external colour and also the internal synthetic colour. Merging the two colours in a painting creates an actual real existing thought of projected colour that does exist and reworks those that stand there already. Thinking about people, colours often remind us of some one, or
a letter ‘s’ for me always feels like red, and I see and slick cherry colour red when I see ‘s’ particularly if it is a capital letter. This makes me question why?

When watching forms that sit within space, points of fascination begin to support each other. The shapes and combinations of associated histories continue to perform meetings with each other. The gesture of the application of paint acts as a tipping point and form of slippage to this. The history of colour and how it is used manifests associations depending on my own experiences - or what I can only contemplate and imagine in others. Is a felt thing, learnt thing, an ignorant thing, a changeable and curiosity of possibilities. Saturday feels like Vermillion then Cherry Red continues an consideration of emotional states, reactions and observations led by an open responsiveness to environment through the making of the work document real events played up and pumped up with simple and complex gestural use of materials and paint performing with colour and space.

STACKS Projects is a not-for-profit artist run gallery and project space
​191 Victoria St, Potts Point, NSW, 2011
​Thursday to Saturday 11 - 6, ​Sunday 11 - 4

Wednesday feels like Hot Magenta, oil on linen, 85cm x 71cm, 2018. Photographer: Simon Strong

Elyss McCleary, Wednesday feels like Hot Magenta, oil on linen, 85cm x 71cm, 2018. Photographer: Simon Strong

The Pinkness at Tristian Koenig Gallery

Elyss McCleary | The Pinkness | 17.01.19 - 09.02.19

Tristian Koenig is delighted to announce the launch of the gallery’s 2019 exhibition program with The Pinkness - a solo exhibition of new works by Melbourne-based painter Elyss McCleary. McCleary has previously exhibited at the gallery in the group exhibition The Means Make the Ends, with The Pinkness being her first solo project with the gallery.

Elyss McCleary paints from within a vein of lyrical abstraction that is descriptive, as opposed to the proscriptive tenets implied by the quasi-movement within early post-war painting. Fusing memory with materiality, expressive haptics with Art History, along the way McCleary orchestrates a form of physical activity  and moving meditation that is both fast and slow, soft and hard, viscous and unyielding.

The titles of her works veer between evocations of the quotidian and passing, to contemplative archetypal spaces - where seagulls spying hot chips are juxtaposed next to mystical snakes slithering across the sky. Linked by a uniformity of scale, the works share uncanny combinations of hue and thinly veiled and translucent brushwork, with the resultant effect creating a curious circularity - one can clearly demarcate where gestures start and end, overlap and merge, however the works defy an identification of start and end. This effect of eluding elucidation is the mystery of Painting.

To contact the gallery regarding pricing and availability of works click here

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TRISTIAN KOENIG
19 GLASSHOUSE ROAD | COLLINGWOOD | VICTORIA | AUSTRALIA | 3066
WWW.TRISTIANKOENIG.COM | +61 498 694 715 | TRISTIAN@TRISTIANKOENIG.COM
THURSDAY-SATURDAY 12-5PM & BY APPOINTMENT

Orchestra of Pink, oil on linen, 140cm x 125.5cm, 2018

Elyss McCleary, Orchestra of Pink, oil on linen, 140cm x 125.5cm, 2018

Extended Gestures at Arcade Projects

Drooping Style, oil on linen, 51cm x 41cm. 2017

Elyss McCleary, Drooping Style, oil on linen, 51cm x 41cm. 2017

EXTENDED GESTURES

Peter Aldrich Matthew Engert Elyss McCleary Khi-Lee Thorpe

The title for this show is borrowed from the writers Claude Cernuschi and Andrzej Hercyznski who in their essay, The Subversion of Gravity in Jackson Pollock’s Abstractions, describe Pollock’s employment of gravity as a means “to extend the duration of his gestures”.1 In easel painting, finding new ways to form gesture, be it, by the brush or through other more unorthodox means (Brice Marden with his extended stick serves as a good example), has been an important pursuit by many artists.

The four artists in Extended Gestures build on this endeavour. Their marks are records of bodily activity, as they pursue methods that are provisional and intuitive. Bold strokes of colour are applied with careful attention to the stroke’s intensity and speed. They innovate ways to disperse paint, be it, through maximum thinning, or strokes that are at once, abbreviated and extended. In Extended Gestures the gesture is distilled, the painting process renovated and the very orthodoxies of easel painting challenged.

Aaron Martin
Curator

1. Cernuschi, Claude, and Andrzej Hercynski. "The Subversion of Gravity in Jackson Pollock's Abstractions." The Art Bulletin 90, no.4(2008):616-39.


Opening Friday, May 18th 6-9pm
Exhibition runs: May 16th -June 2nd 2018

Arcade (back space)
suite 2, level 1 / 119 Hopkins St, Footscray
open wed - sat 12-5pm

(Arcade Project Space is a Five Walls initiative)

Summer New at James Makin Gallery

My painting has been included in first exhibition of 2018 at James Makin Gallery, The Summer New Group Show.

Andrew Chan Carla Fletcher Betra Fraval Elyss McCleary Jack Rowland Paul Ryan

Summer New is on from the 17th January to 10th February 2018.

Link http://jamesmakingallery.com/

McCleary_1-818x1024.jpg

Elyss McCleary, Moon in the River, Oil on linen , 157cm x 123cm, 2018.