The Cinematic Background
Selected studio works
Harmonious Eccentricity
Interval Diagonal
A Tender Anchor
Outline Imager
Fandangle Chroma/s
These Days
Saturday feels like Vermillion then Cherry Red
St.Francis
Otherworldly
The Correspondence of Noticing
The Pinkness
The Man with Three Names
The Means Make the Ends
Settings
What's Happening Here?
Interior Placements
Bedrooms
Joy to the Other World
A Second Shadow, Prelude and Trail
Estimating a Fort
Shutter Speed Luminosity

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ELYSS MCCLEARY

The Cinematic Background
Selected studio works
Harmonious Eccentricity
Interval Diagonal
A Tender Anchor
Outline Imager
Fandangle Chroma/s
These Days
Saturday feels like Vermillion then Cherry Red
St.Francis
Otherworldly
The Correspondence of Noticing
The Pinkness
The Man with Three Names
The Means Make the Ends
Settings
What's Happening Here?
Interior Placements
Bedrooms
Joy to the Other World
A Second Shadow, Prelude and Trail
Estimating a Fort
Shutter Speed Luminosity

About
CV
Text
News
Contact

Elyss McCleary pays respect to the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, who are the traditional custodians of the unceded lands on which she lives and works.

behindeyelidstalkingwithmusic

Opening on Wednesday at LON Gallery, The Man with Three Names

November 28, 2017

Elyss McCleary, Behind Eyelids (Talking with music) 2017. Oil on linen 140cm x 125.5cm

Tags: themanwiththreenames, longallery, melbourne, exhibition, behindeyelidstalkingwithmusic, elyssmccleary

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